The studio

The people and the place.

Auckland’s most complete post-production facility – purpose-built, secure, and run by people who’ve delivered for the world’s biggest streamers and studios.

Founded over a decade ago, with the aim to do things better.

Department of Post is now the largest post-production facility in Auckland, with a proven track record on large-scale international productions – giving every storyteller access to the best tools and talent, regardless of project scale or budget.

We build our own technology where the industry’s falls short – Lightpost for secure remote work, Nucleus for metadata – so the work moves faster, safer, and further.

4km+

Fibre on-site

100Gb

Network backbone

15

Editorial suites

24/7

Staffed operations

Inside the Department of Post facility in Auckland
Colour grading suite at Department of Post
Dolby Atmos mix theatre at Department of Post

What defines us

Built for large-scale productions.

Purpose-built facility with content security at the heart of the design – studio security protocols met effortlessly

World-class lab dailies & VFX metadata handling, 24/7

Auckland’s only Dolby Atmos Premiere far-field mix stage

Established, proven HDR Dolby Vision DI workflows with colour-pipeline specialists

Advanced multi-unit QTake vidsplit & on-set DIT – set-to-post oversight

15+ onsite premium editorial spaces, plus bespoke offsite editorial dry-hire

Competitive hourly rates – more time in each department, real value vs other international facilities

Internationally experienced, skilled artists across every department

The team

The talent behind the work.

Award-winning colourists, mixers, editors and technologists. Full bios and selected credits are coming as we finalise the new site.

Executive

The people steering Department of Post – setting the standard for technology, craft and client care across the facility.

James Brookess

James Brookess

Director

James Gardner

James Gardner

Director

Christie Stewart

Christie Stewart

Head of Operations

Mitch Borland

Mitch Borland

Accounts Manager

Colour

Award-winning colourists grading features, series and documentaries in UHD HDR – including work on the only Christie RGB-laser DI theatre in the Southern Hemisphere.

James Gardner

James Gardner

C.S.I

Julian Dyson

Julian Dyson

C.S.I

Jack Li

Jack Li

Colourist

Audio

Re-recording mixers and sound editors delivering everything from 5.1 broadcast to full Dolby Atmos on our 36-seat premiere mix stage.

Derek Metivier

Derek Metivier

Audio Post Supervisor

Alex Chalcoff

Alex Chalcoff

Re-Recording Mixer

Yi Li

Yi Li

Sound Editor

Micah Livesay

Micah Livesay

Re-Recording Mixer

Online

Online editors and finishing artists conforming and delivering UHD and VFX-heavy projects to every platform spec.

Patrick Oxnam

Patrick Oxnam

Online Editor

Todd Columb

Todd Columb

Online Editor

Misha Yakovlev

Misha Yakovlev

Online Editor

DIT / Media Operations

On-set DITs and media operators safeguarding your data from the first take – offload, dailies and chain of custody.

Ben Harris

Ben Harris

DIT

Hazel Tan

Hazel Tan

DIT

Brandon Hermitte

Brandon Hermitte

DIT

Production, Facilities & Technology

The producers, engineers and technologists who keep the building running and build the tools that set us apart.

Kali Moss

Kali Moss

Post Production Co-ordinator

Taisha Jensen

Taisha Jensen

Admin Manager

Matt Kitson

Matt Kitson

Head of Technology

Technology partners

We build on the best tools in the industry – and our own where it falls short.

  • Dolby
  • Avid
  • Blackmagic Design
  • Christie
  • Sony
  • QSC
  • Genelec
  • Aspera
  • AWS
  • Ovide
  • QTake
  • Colorfront
  • Flanders Scientific

Proud to support

We back the festivals and initiatives that grow Aotearoa’s screen community.

  • Show Me Shorts Festival
  • Doc Edge Festival
  • Big Screen Symposium
  • NZ Cinematography Society
  • Loading Docs Initiative
  • African Film Festival

Come and make something with us.